AMG REVIEW: Hunting down old girlfriends or treasured childhood television shows can seem like a good idea at the time, but bands like Piano Magic recognize that after the initial warmth of nostalgia washes away, most memories are best left fantasized about. With a formula that perks curiosity — artless experimentation, revolving band-members, using old-tech toys in new-tech situations — Popular Mechanics is less about what kind of music you really listened to as a kid and more about what you remember what you listened to. "Revolving Moth Cage" takes a painlessly childish keyboard melody and inserts it into a complex canvas of ambient trickery while the friendly Eraserhead interpretations on "Birth of an Object" are just on the right side of despondent, electronic reinvention. The self-proclaimed Kraftwerk and drum 'n' bass influences are disguised as well: to be sure, there's a certain antique thrust to the badly-spoken word "Wrong French" or a Kid 606-like junkyard scream to the "Metal Coffee" red herring, but it's how mainman Glen Johnson strives to "aim for the heart" that really makes the album worthwhile. This is splayed out Krautrock dub with a newly found sense of compassion. Much like the reconstructionist vibe of comic book writer Kurt Busiek, Piano Magic seem intent in rediscovering a childhood that never existed, reexamining those memories that never happened — all with an innovative, electronic zeal that would make most any fellow auteur flush with admiration. — Dean Carlson
|
