With its use of banjo, accordion, lap steel, and stand-up bass and its songs about creaking pine porches, shallow graves, prison shoes, and big horses, Sixteen Horsepower would seem to be drawing from the same ancient wells of Americana as the Band. The Band, however, handled this tradition from a working-class perspective of Monday morning blues and Saturday night release. By contrast, Sixteen Horsepower takes the leisure-class approach of existentialist angst, bad college poetry, and no release whatsoever. Edwards simply throws evocative phrases together without bothering to make one fit with the other. Such a technique could be called "experimental," but it could also be called "lazy." Drummer Jean-Yves Tola and bassist Keven Soll help Edwards create a spare, agitated, rock & roll string-band sound behind his doom-and-gloom howlings. --Geoffrey Himes
Review by Stephen Thomas Erlewine
Driven by off-kilter fiddles, a bizarre sense of humor, and punk-inflected country-rock, 16 Horsepower's second album, Sackcloth 'n' Ashes, is a weirdly captivating listen. Nearly every song is a strange, backwoods fable, delivered with clever irony that never undercuts the essential, disturbing intentions of the songs. It's not for everybody, but for alt-country fans tired of Gram Parsons homages, Sackcloth 'n' Ashes is a welcome listen. Review by Stephen Thomas Erlewine
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