1959's self-released Blind Joe Death had an enigmatic spare cover that read "Blind Joe Death" on one side and "John Fahey" on the other. The playful 20-year-old "American primitive" guitarist had created an alternate identity: that of the obscure, unknown guitar great Blind Joe Death. The album's material was influenced by the down and dirty country blues of Mississippi John Hurt, Bukka White, and Charley Patton, all manner of old-timey vernacular sound, and 20th-century classical music. This haunting release only contains one of the original recordings; the rest are far more nimble-fingered versions from 1964 (and from '67). As expertly compiled on this disc, Transfiguration presents an opportunity to crawl inside the head of a master musician just as the world of sound unfolds before him. By the time the listener hears the sparkling '67 cuts, a magical, syncretic transformation has occurred. The idiosyncratic artist revisits these plaintive, resonant songs yet again in 1988 on the moody I Remember Blind Joe Death. --Mike McGonigal
Review by Steven McDonald
A strange man, John Fahey, with an unusual set of guitar styles. This album, originally released on Riverboat Records and later reissued by Fahey's own Takoma label, has a lot of rough edges in terms of the recording but a tremendous amount of power when it comes to the music. Fahey was at the top of his game, alternately playful and dark, so there's never a dull moment. There is always something new to be heard on each playing.
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