Clash
Combat Rock
Label ©  Epic
Release Year  1982
Length  46:05
Genre  Rock
Personal Star Rating [1-5]  
  Ref#  C-0121
Bitrate  192 Kbps
  Other  
  Info  
    Track Listing:
      1.  
      Know Your Rights  
       3:42  
      2.  
      Car Jamming  
       4:01  
      3.  
      Should I Stay Or Should I Go?  
       3:10  
      4.  
      Rock The Casbah  
       3:44  
      5.  
      Red Angel Dragnet  
       3:46  
      6.  
      Straight To Hell  
       5:33  
      7.  
      Overpowered By Funk  
       4:54  
      8.  
      Atom Tan  
       2:31  
      9.  
      Sean Flynn  
       4:33  
      10.  
      Ghetto Defendant  
       4:45  
      11.  
      Inoculated City  
       2:15  
      12.  
      Death Is A Star  
       3:11  
    Additional info: | top
      The final album by the Clash's original Strummer/Jones incarnation is also their most inconsistent. There were musical and ideological rifts developing within the band, and it shows: the experimentation is almost as wild as Sandanista!'s (and the biggest experiment is heading away from their punk shiftiness and into a commercial rock sound), but they seem to be enjoying it less. The band's stabs at funk and poetry aren't terribly successful, but it all came together for two massive hits: "Should I Stay or Should I Go?" has the biggest, stupidest, most perfect riff this side of "Louie Louie," and "Rock the Casbah" pulls the band's politics, fine-honed sarcasm, and saw-toothed guitar sound into the service of a dance-floor beat. --Douglas Wolk

      Review by Stephen Thomas Erlewine

      On the surface of things, Combat Rock appears to be a retreat from the sprawling stylistic explorations of London Calling and Sandinista! The pounding arena rock of "Should I Stay or Should I Go" makes the Clash sound like an arena rock band, and much of the album boasts a muscular, heavy sound courtesy of producer Glyn Johns. But things aren't quite that simple. Combat Rock contains heavy flirtations with rap, funk, and reggae, and it even has a cameo by poet Allen Ginsberg -- if this album is, as it has often been claimed, the Clash's sellout effort, it's a very strange way to sell out. Even with the infectious, dance-inflected new wave pop of "Rock the Casbah" leading the way, there aren't many overt attempts at crossover success, mainly because the group is tearing in two separate directions. Mick Jones wants the Clash to inherit the Who's righteous arena rock stance, and Joe Strummer wants to forge ahead into black music. The result is an album that is nearly as inconsistent as Sandinista!, even though its finest moments -- "Should I Stay or Should I Go," "Rock the Casbah," "Straight to Hell" -- illustrate why the Clash were able to reach a larger audience than ever before with the record. [In 2000 Columbia/Legacy reissued and remastered Combat Rock.]
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