Pere Ubu
Terminal Tower
Label ©  Geffen
Release Year  1998
Length  41:56
Genre  rock
Personal Star Rating [1-5]  
  Ref#  P-0037
Bitrate  192 Kbps
  Other  
  Info  
    Track Listing:
      1.  
      Heart of Darkness  
       4:45  
      2.  
      30 Seconds Over Tokyo  
       6:23  
      3.  
      Final Solution  
       4:59  
      4.  
      Cloud 149  
       2:38  
      5.  
      Untitled (Modern Dance)  
       3:34  
      6.  
      My Dark Ages  
       4:02  
      7.  
      Heaven  
       3:06  
      8.  
      Humor Me  
       2:53  
      9.  
      The Book Is on the Table  
       4:04  
      10.  
      Not Happy  
       3:40  
      11.  
      Lonesome Cowboy Dave  
       1:52  
    Additional info: | top
      An Archival Collection - Non Album Singles & B-Sides 1975-1980

      Review by Steve Huey

      At the outset of their career, Pere Ubu released some of the very first independent-label American punk singles on their own Hearthan (later Hearpen) label, which constitute some of their most celebrated and legendary work. Terminal Tower: An Archival Collection gathers 11 tracks, mostly from the crucial Hearthan/Hearpen period (including the entire Datapanik in the Year Zero EP), plus a couple of later U.K. singles. This music's historical importance is undeniable -- not only because of the band's pioneeringly independent status in an area not as celebrated for its punk scene, but also because Pere Ubu was one of the first bands to push their art punk sound into territory later classified as alternative, a testament to their forward-looking approach. None of that would matter if Terminal Tower didn't hold up so well as a listening experience, but Pere Ubu still sounds utterly original. David Thomas' unearthly voice mumbles and sobs the angular melodies over a backdrop of garagey guitars, startling sound effects (from both guitar and synth), and odd dissonances. Moments of jarring, apocalyptic terror ("Heart of Darkness," the creeping, crawling "30 Seconds Over Tokyo") sit next to oddly beautiful introspection, sometimes on the same song (the aching angst and evocative guitar solo of "Final Solution"). Meanwhile, poppier tracks incorporate those avant-garde textures into a gleeful dada bounce. The two tracks unavailable anywhere else, "Not Happy" and "Lonesome Cowboy Dave," are slices of poppy dementia that may make the collection worthwhile for devotees who already own the box, especially since this is such a strong, coherent listen. Terminal Tower stands as the best introduction to the band not only because of its stellar material and relative accessibility, but also because it largely lacks the arty indulgences that popped up even on the group's most consistent albums. Now that it's back in print, it's essential, groundbreaking listening.
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