Legendary Pink Dots
Any Day Now
Label ©  Pias
Release Year  1987
Length  39:56
Genre  Alternative
Personal Star Rating [1-5]  
  Ref#  L-0052
Bitrate  ~193 Kbps
  Other  
  Info  
    Track Listing:
      1.  
      Casting The Runes  
       5:49  
      2.  
      A Strychnine Kiss  
       3:21  
      3.  
      Laguna Beach  
       2:23  
      4.  
      The Gallery  
       3:32  
      5.  
      Neon Mariners  
       4:50  
      6.  
      True Love  
       3:55  
      7.  
      The Peculiar Fun Fair  
       3:33  
      8.  
      Waiting For The Cloud  
       6:45  
      9.  
      Cloud Zero  
       5:48  
    Additional info: | top
      Not so coincidentally, ANY DAY NOW happens to also be my favorite LPD
      album-- particularly the CD version, which contains two extra cuts,
      "The Light in My Little Girls Eyes" and a remake of "The Plasma Twins".
      (The album version has bigger artwork, of course, as well as a larger
      surface for rolling things...) It was recorded in 1987 (lord, can it
      really be close to ten years ago?), and stands the test of time quite
      admirably...it still seems fresh and inventive.

      The album opens with "Casting the Runes", an out and out goth-fest
      about a reincarnated witch who terrifies the villagers where she lives.
      The song is based around a sequenced plink-plink-plink-plink, plink-plink-
      plink-plink kind of riff that Edward was very taken with in those days,
      over which is laid a swirling violin solo courtesy of Mr. Wright. The
      whole album, in fact, showcases Patrick's beautiful string work, and
      is very dense and lush, musically.

      Another thing to keep in mind is that nearly every song on the album
      is a downer, subject-wise (songs about the starving poor, shipwrecks,
      and nuclear devastation) BUT through the music and choice of wording,
      comes across very clever and amusing. Almost like an Edward Gorey
      cartoon set to music.

      The next two songs "A Strychnine Kiss" and "Laguna Beach" are not
      particular favorites of mine, so I'll let someone else discuss them.

      Next up is "The Gallery", a fun, almost nursery-rhyme sounding song
      where Ed sings about his building (apartment? wing of an asylum?) and
      the people who live there. Great sound effects and lyrical imagery
      (e.g., "peeping at the mentholated man who spits in a can")

      "Neon Mariners" follows, a dirge-like song about an ocean liner sinking.
      (Q--What's the difference between Madonna and the Titanic? A-- only two
      thousand went down on the Titanic...) Here, Edward parodies himself
      by singing a reworking of his own lyrics as "Dance in brine, Dance in
      Seaweed".

      "True Love" is next, another one of those plink-plink-plink-plink things
      (my knowledge of musical terminology continues to astound) with a great
      screechy violin counterpart. The song is a hymn to codependent obsessive
      love (" If love is really blind I'd pluck out both my eyes for you"-- a
      Hallmark moment to be sure) that gets increasingly intense as the music
      builds. This is followed by "The Peculiar Fun Fair", a 32 second instumental
      ditty that is much as the name implies.

      The next 3 songs "Waiting for the Cloud", "Cloud Zero", and "Under Glass"
      are thematically linked (both musically and lyrically) and are really one
      seamless piece with 3 movements. IMHO, it's the best thing the Dots have
      ever done-- a very haunting piano solo and increasingly impressive violin
      work that builds, quite literally, into a symphony. The lyrics detail
      a group of survivors after a nuclear bomb, and how they're all just waiting
      to die when the cloud passes their way. The orchestral arrangement gives
      way to psychedelia, with the electric guitar becoming more pronounced than
      anywhere on the album, and then fades back into an orchestrated dirge
      (there's that word again) as an AMAZING sound effect of a baby screaming
      bleeds through. The baby is quite unmistakably Edward. This is followed
      by a dissonant and sparse piano and sound-effects piece ("Cloud Zero")
      and then the band simply rocks out ("Under Glass"). This song has a lot
      to say about how a person lives out their life-- according to Edward,
      in a state of fear and desperation, letting others "put you through the
      mill", while simply waiting for the end to come. (The same idea, with
      disease taking the place of warfare, is explored on "Just a Lifetime"
      from CRUSHED VELVET APOCALYPSE). Pretty heady thoughts for a song you
      can dance to...

      "The Light in my Little Girls Eyes" is a fun song about a hallucinatory
      lovemaking session. Wonderful violin, and pretty much captures what
      a loving relationship should be like (although perhaps with not so much
      cannibalism).

      "The Plasma Twins" is a re-recording of an older LPD song (the original
      can be found on THE LEGENDARY PINK BOX) about sex and vampirism, two
      subjects I'll wager are dear to the hearts of most folks on this list.
      With lines like "I'll show you all my muscles if you give me your
      corpuscles",I can't imagine anyone not having a good time. A really
      fun ending to a truly brilliant recording.

      There ya have it. One guy's opinion. Peace, love, sing while you may,
      blah blah blah, over and out.
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