This is Mick Jones' original mix for the album that became Combat Rock. More than likely it dates from late 1981. NB: This boot has now been rendered somewhat obsolete by the upgrade to The Rat Patrol.
Lineup: Joe Strummer (vocals, guitar), Mick Jones (guitar, vocals), Paul Simonon (bass, vocals), Topper Headon (drums)
Info
This is the original version of 'Combat Rock' as produced by Mick Jones in 1981, with newly discovered instrumental track titled 'Walk Evil Talk'.
Review
First off, enormous thanks from myself and the rest of the Clash loving community to Bill Plenge, aka the Equaliser, for getting this item into circulation. Without doubt, it is the best Clash find of recent years. Essentially an upgrade for Combat Out Rock, this comes from a much cleaner source, apparently a tape that was floating around an RCA office back in the early 1980s. Needless to say, it is a joy to listen to. The opening two numbers sounding superb in almost faultless audio quality. Crystal clear in fact. So much so, that if you are curious about the lyrics to these songs, or you're just after a laugh, you should check a dubious attempt to transcribe them by myself, Inder and John:
- The Beautiful People Are Ugly Too
- Kill Time
The quality in general is an improvement for every track on Combat Out Rock, with the first two being the most noticeable. A few of the songs sound as they did in the previous collection but I think on the whole the sound quality is a lot better. You can certainly hear more instrumentation and even extra vocals in parts. The versions are the same, with the exception of the extra track Walk Evil Talk, and the extra version of Inoculated City, and also the Atom Tan incident.
So what of this new song? You're probably dying to hear it if you haven't already. Apparently a leftover from the Sandinista! sessions (you'd never guess that huh?) it's an ambling seven minute affair much in the style of other dub induced classics such as Shepherds Delight and If Music Could Talk. It has a more up tempo style, with piano, and at times sounds like the soundtrack to a western. It's percussion led, leading me to suspect Mick and Topper were in the studio jamming when it came about. The song threatens and threatens to get going with bursts of drumming from Topper (by the way it has been confirmed that Tops is the drummer on this CD). Aside from some excellent drumming (the sound quality really shows it off) there's just the piano, so the song doesn't suffocate you with sound like some instrumentals can. The song reminds me a bit of 'Trojans', an instrumental by The Damned that appeard on Phantasmagoria, though that suffered from added saxophone. Thankfully, there's nothing to muddy the mix in Walk Evil Talk. A very moody song, the music speaks for itself. On the whole, I'd say it's very good. As for its origins, I doubt it's an offspring of the Sandinista! sessions. Its sound is in keeping with the rest of the album. It fits very well here. As mentioned in the Combat Out Rock review, they wanted the album to fit on two sides of vinyl, not four. So there was obviously no room for an apparently aimless 7 minute instrumental.
The Atom Tan edit suffers a dip in quality nearing the two minute mark, with the left channel seeming to drop out a bit. It picks up after 30 seconds or so as the song dies away. Perhaps the Inoculated City debacle needs some explaining. It all relates to a lesser known advert known as the "2000 Flushes" commerical. Where better to seek explanation than Satch's boards? Adam Headland explains:
"2000 Flushes was something you put in your toilet to ostensibly keep it clean. The ad clip was actually on the first released copies of Combat Rock, but the company threatened legal action, so they had to remove the it. I guess they figured being associated with the Clash would 'soil' their image!"
...Ludwig adds:
"(Actually, I think 2000 flushes is also on the LAST editions of Combat Rock ... on mine it is ... I always thought it was a kind of news report ... but I prefer the version without it that I had encoded first from the Mediatheque)"
Adam:
"It was on the very first releases, taken off for the remainder of the LPs, and restored on the reissues- I guess the 2000 Flushes company was no longer a going concern by then."
Personally, I have Combat Rock LP from 1982 and the commercial excerpt is on it. I then noticed it wasn't on the 1986 CD reissue. Now of course it's back on the remasters thankfully. Anyway, the extended version has it. By the way, my review of COR has a more detailed song-by-song analysis.
Back to the review. Cool Confusion (not the version with the drums which you can find on Adam's superb DOA) seems to me to be the best version of the non-drum versions. Even superior to the Super Black Market Clash mix. I'm a fan of this song, so all you Cool Confusion haters can go take a running jump ;-)
As I stated in the COR review, the extended intro to Sean Flynn is the spookiest bit of playing you'll ever hear. Sheer class. This album is certainly superior to Combat Rock. Far more interesting and diverse, and the improved sound quality makes it a must-have item for any Clash fan. A great listen, and the first two tracks are unreleased gems.
Rated: 10/ 10
Review
This was intended to be a double album entitled 'Rat Patrol From Fort Bragg'. The rest of the band dismissed it, and called in producer Glyn Johns to cut it down to size for a single LP. All songs became shorter, and a lot tighter, with more pronounced vocals, a much 'tighter' mix musically, and less vague sound effects and extended rapping. Also, four tracks (Cool Confusion, First Night Back In London, Beautiful People and Kill Time) were cut. Overall, all the songs sound very similar to each other, with a significant emphasise on studio sound effects. The whole thing also has a 'muggy' sound to it, if you know what I mean. Sort of slightly muffled, like sounding as if it was coming from under a thick blanket.
Track seven from Combat Rock, Overpowered By Funk, is not present here and was apparently added to Combat Rock at the last minute (an instrumental version exists on Clash On Broadway Outtakes and an extended remix is on Golden Bullets). Each song varies in some way to the official ones on Combat Rock, so here is a track by track review:
Know Your Rights
This is a basic but extended version, and seems to be a bit slower. Joe is talking rather than singing and the lyrics are different in places. Know Your Rights has a few incarnations besides the official one. This being one, and another one is on Clash On Broadway Outtakes. This is a good version of the song, and in ways works better, with the message of the song being delivered more effectively by Joe's voice.
Car Jamming
Again, this is a more basic version but is very similar to the official one. There are extra sound effects in places and it's extended.
Rock The Casbah
Different intro, then once it kicks in it is very similar to the official album version. There's extra sound effects in places and it's also maybe a touch slower.
Red Angel Dragnet
Paul's vocals seem a bit more present in the song as the volume of the music is lower. Some instrumentation found in the offical version is increased in volume a little - such as the electronic organ effect. Also, there is some faint talking in the background, possibly Joe? There are also extra background vocals from Joe and Mick. Towards the end, there are extra lyrics, as this is an extended version.
Should I Stay Or Should I Go
Lots of Spanish dialogue at times, along with extra vocals, possibly just Mick's dubbed over twice. Also some extra vocals from Joe it sounds like. Extended, and with extra instrumentation, including brass?
Ghetto Defendant
Allen Ginsberg's lead vocals are different at times, and sometimes appear in a different place to where they do in the official version. There is extra instrumentation. Joe's singing is also very different. The lyrics in the song are different, and this is an extended version. It also fades off quite nicely at the end.
Straight To Hell
This is the same as the official unedited version found on Clash On Broadway disc 3. An extended mix, slightly altered drum effect, also fades away nicely at the end.
Inoculated City
A more pronounced opening that works well. An extended version, with extra vocals that again just sounds like Mick's dubbed on twice. In this song in particular there are studio sound effects not found in the official version. The toilet cleaner ad - '2000 Flushes' - (with the American housewife) is a bit longer too. This is a better version of this song (the official one is too short really) and the extended playing is welcome. There's also faint voices, chatter and laughing in the background at times, which get louder as the song nears its end.
Atom Tan
Seems a touch slower, and has slightly different lyrics in places but otherwise is very similar to the official version.
Cool Confusion
Same as the version on Super Black Market Clash and Clash On Broadway disc 3. Here it cuts off a second or so too soon though. This song is mostly made up of sound effects and strange, but effective vocals. (An alternate mix of this song can be found on the D.O.A. compilation.)
Sean Flynn
A different, and quite spooky, intro to this song, then it kicks in as normal. The sound quality throughout this song varies a bit - there is the odd drop out. Some instrumentation is more pronounced and there are extra sound effects. An extended version but on the whole very similar to the official one. This is a welcome track - Sean Flynn is an excellent song and this version lasts nearly 8 minutes.
Death Is A Star
Very similar to the official version, just some extra lyrics and talking in places. It's clever how, as in the official version as well, Mick and Joe's voices unnoticeably blend into each other at the beginning and throughout.
First Night Back In London
As with Cool Confusion, this is the same as the official version and appears on Super Black Market Clash. It's obvious this song came from this mix, with the big emphasis on sound effects and that particular drumming sound and style.
The Beautiful People Are Ugly Too
A great song, and it's good to have it here with very good sound quality. I especially like the tune to this song, it's very catchy, and Joe and Mick's singing on it works very well. In keeping with the style of the rest of the album, there are the familiar sound effects. This was also known as 'Fulham Connection W11', and has also been known as 'Man In A Box'.
Kill Time
Again, a great song. Very reggae styled (true to Clash form). Also, excellent sound quality which is very welcome from an unreleased studio track. Good to have a complete version of it as well, as it appears on Pier Pressure but is cut short and misses out a drumbeat or two in the intro and is missing quite a bit near the end. The Pier Pressure version also uses a vinyl as its source, whereas this does not. Sometimes known as (Licence To) Kill Time and 'Idle In the Kangaroo Court' which was the song's working title.
It's a great shame official releases of Beautiful People and Kill Time haven't appeared. They should have made it onto the Clash On Broadway boxset (the Straight To Hell unedited version is there) in favour of material that was already available anyway. Other unreleased tracks made it (such as One Emotion) so why not these? If not then, they should almost certainly have made it onto Super Black Market Clash, along with Cool Confusion and First Night Back In London from the very same mix.
Overall, the sound quality is a bit dulled and there is background hiss present all the time (but it's only really noticeable in between songs). However, it is still very good, and the quality of some of the tracks, particularly the last two funnily enough, is excellent. The songs are interesting alternatives and make an enjoyable listen. Extended versions are welcome for some of these classic Clash songs.
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