Neil Young
After The Gold Rush
Label ©  Reprise / Wea
Release Year  1970
Length  35:09
Genre  Rock
Personal Star Rating [1-5]  
  Ref#  N-0036
Bitrate  192 Kbps
  Other  
  Info  
    Track Listing:
      1.  
      Tell Me Why  
       2:58  
      2.  
      After The Goldrush  
       3:46  
      3.  
      Only Love Can Break Your Heart  
       3:08  
      4.  
      Southern Man  
       5:32  
      5.  
      Till The Morning Comes  
       1:20  
      6.  
      Oh, Lonesome Me  
       3:50  
      7.  
      Don't Let It Bring You Down  
       2:57  
      8.  
      Birds  
       2:33  
      9.  
      When You Dance You Can Really Love  
       4:05  
      10.  
      I Believe In You  
       3:27  
      11.  
      Cripple Creek Ferry  
       1:33  
    Additional info: | top
      After laboring in Buffalo Springfield and Crosby, Stills, Nash & Young, Neil Young finally hit perfect pitch--if his endearing off-center whine can be called "perfect"--with his third album. He's equally passionate with trippy riddles (has anybody figured out what "We've got mother nature on the run" means in the title track?) and pointed protest (after 30 years of rock-radio overplay, "Southern Man" still rings with truth about redneck racism). His creaky ensemble, including pianist Jack Nitzsche and rotating members of Crazy Horse, transforms ramshackle country and folk songs into soulful hippie hymns. --Steve Knopper

      Review by William Ruhlmann

      In the 15 months between the release of Everybody Knows This Is Nowhere and After the Gold Rush, Neil Young issued a series of recordings in different styles that could have prepared his listeners for the differences between the two LPs. His two compositions on the Crosby, Stills, Nash & Young album Deja Vu, "Helpless" and "Country Girl," returned him to the folk and country styles he had pursued before delving into the hard rock of Everybody Knows; two other singles, "Sugar Mountain" and "Oh, Lonesome Me," also emphasized those roots. But "Ohio," a CSNY single, rocked as hard as anything on the second album. After the Gold Rush was recorded with the aid of Nils Lofgren, a 17-year-old unknown whose piano was a major instrument, turning one of the few real rockers, "Southern Man" (which had unsparing protest lyrics typical of Phil Ochs), into a more stately effort than anything on the previous album and giving a classic tone to the title track, a mystical ballad that featured some of Young's most imaginative lyrics and became one of his most memorable songs. But much of After the Gold Rush consisted of country-folk love songs, which consolidated the audience Young had earned through his tours and recordings with CSNY; its dark yet hopeful tone matched the tenor of the times in 1970, making it one of the definitive singer/songwriter albums, and it has remained among Young's major achievements.
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