From the Amazon.de editorship
"... are sucking on my titties... sex on the beaches, that's into the teaches OF Peaches... fuck the pain away... ", that a few words, which sing Peaches in the Opener "Fuck The Pain Away" schelmisch. Peaches is Merrill Nisker from Toronto, which strike it in the spring 2000 to Berlin have. There, where also its ex-Lover Gonzales, with which she forms still a musical duo, it established itself. On its solo album The Teaches OF Peaches confronts Peaches one with their sexual openness, which made her the Hot Bitch Canadian Jackass Entertainer, to a woman, who arises live in scarce, pinken Shorts and men provocatively, it however at the same time frightened. Kuschelrocker should make an elbow around Peaches, here with the whip are stroked. Beside its tongue still another MC are 505 Groovebox their weapon. The equipment throws minimum Oldschool electrical Beats raus, to which it still gives a few diagonal noises as Beigabe -- Suicide are near pulled there always gladly as comparison. Peaches is hard core and Prankster RAP, it takes its music off to on the framework and makes clear that between the radical artist Peaches and Merrill Nisker identity differences do not prevail. You listen, it have to more to say, than others dare to dream. -- Sven Niechziol
INTRO
I do not know whether still someone remembers Karen Finley, which combined into the late 80ern with explicit Lyrics Synthiepop and RWS attitude. Where in the traditional Soulmusik and with newer productions within the Swingbeat/RnB range the physicalness gekuenstelt on extremely schmalzige, einfuehlsame way in the play is brought and this also in the sound reflects themselves , sets Peaches similar to the RAP Bitch LilKim on direct communication, only that she possesses more musical talent than madame Ich hab nothing on and be so mad geil . Peaches rockt, funky, roughly and with a directness, the man (and woman) not to extract itself can. Who was allowed to see it on its route with Gonzales (for its coming album The Entertainest Peaches also Beats programmed and with that it is associated), the size of this woman knows to estimate correctly. It unites the DIY mentality of the Punkrock (around music it really did not go), the Show character of a macho coined/shaped HipHop world and the Anruechigkeit of a Live Fucking Show in Bangkok in its performance. There all men put on the soil, and Peaches sits down (nearly) on their faces to mention unnecessarily with which. Now this is however an album discussion, i.e., I must you not of the Livefaehigkeiten of the kanadierin convince, but of The Teaches OF Peaches , which brings me also directly to the elementary difference to Gonzales: Peaches rockt also on plate, naturally is their speech singing the determining moment. The Beats sounds friendly said, intentionally thin, in its extremely oldschooligen Electro Gestus. But does not disturb, because they kicken, according to enough played, madly and give so the area freely for the voice as relevant sound element. Here count words, which Style, with which they are gekickt, from the lips of this geilen (and that is not sexually occupied) woman to come. Perhaps the best Kitty Yo-publication to date, without wanting to step the other too close. Buy and with Peaches play.
Thomas Venker/Intro - music & so
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